![]() ![]() ![]() ![]() But when it is performed by an all-white troupe of actors dressed and made up as Asians, it shifts from a brilliant comedy of manners to, as Asian-American actress and blogger Erin Quill says, a ‘racist piece of crap.’” One way companies have been addressing this is to restage the play in an entirely different setting, retaining the biting satire while excising the careless racism. Le nozze di Figaro (The Marriage of Figaro), Mozart, Seattle Opera Seattle, United States Tá gníomhaíocht oibríochta doiciméadaithe ag Operabase ar fud an domhain ó 1996, agus tá níos mó ná 500,000 léiriú ar chomhad. Seattle Opera - The Marriage of Figaro For the best browsing experience, please download a modern browser. Seattle Opera (May 15, 2022) Conductor: Alevtina Loffe Director: Peter Kazaras Susanna: Soroya Maf Figaro: Ryan McKinny Countess Almaviva: Marjukka Tepponen Count Almaviva: Norman Garrett Cherubino: Olga Syniakova Dr. In response to the Seattle controversy, Wall Street Journal columnist Jeff Yang argued in a guest opinion piece for CNN that The Mikado’s “biting satire and splendidly silly stage play make it quite possibly Gilbert and Sullivan’s greatest work. Mozart’s most popular opera is filled with chaos and hilarity as clever servants outwit arrogant masters, crafty women outsmart foolish menfolk, and one crazy day ends in happiness and love. Closing the season May 2-16 will be 'Figaro' in a production that began its life at the Seattle Operas Young Artists Program. Controversy around a Seattle production in 2014 made national news and in 2015 the New York Gilbert and Sullivan Players cancelled a planned production in response to outrage. Seattle Opera has done Bizets 'Pearl Fishers' only once, in 1994. In Seattle Opera’s take, Figaro forms a grand gender-war trilogy with Cosi fan tutte and Don Giovanni, Mozart’s two other operatic partnerships with librettist Lorenzo da Ponte, both of which. You’d have to look hard to find any political overlays, class resentment, sexual aggression, or personal bitterness on stage amidst the humorous antics. Since as early as the nineties, The Mikado has been prominent in the broader discussion about representation and cultural appropriation, and more specifically about yellowface and Orientalism in the arts. Every element in Seattle Opera’s The Marriage of Figaro, which I saw on opening night, focused the production into a sunny comedy brimming with goodwill. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |